Matthew Bell, Daniele Vecchiato
COLLOQUIA GERMANICA 55, 1-2
Themenheft: Staging Justice: Trials and the Law on the German Stage
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Themenheft: Staging Justice: Trials and the Law on the German Stage
Gastherausgeber: Matthew Bell und Daniele Vecchiato
Inhalt
Matthew Bell and Daniele Vecchiato: Staging Justice: Trials and the Law on the German Stage
Matthew Bell: Society and the Sources of Legality in Goethe’s Die natürliche Tochter
Stefania Sbarra: Kleists Käthchen von Heilbronn als Litotes von Goethes Grethchen in Faust. Ein Fragment: Ein Versuch
Sophia Clark: Applause from the Jury: Publicness, Orality, Trial by Jury, and the Revolutionary Tribunal in Büchner’s Dantons Tod
Benedict Schofield: Displacing Justice? Looking for the Law in Gustav Freytag’s Die Journalisten
Laura Bradley: Watching Spectatorship and Judgment: Trial Scenes in Brecht’s Epic Theater
Benjamin Wihstutz: On Truth and Politics in German Documentary Theater of the 1960s: Hannah Arendt and Peter Weiss
Daniele Vecchiato: Lay Judges and Lay Actors: Emancipating the Spectator in Rimini Protokoll’s Zeugen! and Ferdinand von Schirach’s Terror
Richard McClelland: Between Theater and Courtroom: Theatricality, Performativity, and Citational Practices in Milo Rau’s Die Zürcher Prozesse
Gastherausgeber: Matthew Bell und Daniele Vecchiato
Inhalt
Matthew Bell and Daniele Vecchiato: Staging Justice: Trials and the Law on the German Stage
Matthew Bell: Society and the Sources of Legality in Goethe’s Die natürliche Tochter
Stefania Sbarra: Kleists Käthchen von Heilbronn als Litotes von Goethes Grethchen in Faust. Ein Fragment: Ein Versuch
Sophia Clark: Applause from the Jury: Publicness, Orality, Trial by Jury, and the Revolutionary Tribunal in Büchner’s Dantons Tod
Benedict Schofield: Displacing Justice? Looking for the Law in Gustav Freytag’s Die Journalisten
Laura Bradley: Watching Spectatorship and Judgment: Trial Scenes in Brecht’s Epic Theater
Benjamin Wihstutz: On Truth and Politics in German Documentary Theater of the 1960s: Hannah Arendt and Peter Weiss
Daniele Vecchiato: Lay Judges and Lay Actors: Emancipating the Spectator in Rimini Protokoll’s Zeugen! and Ferdinand von Schirach’s Terror
Richard McClelland: Between Theater and Courtroom: Theatricality, Performativity, and Citational Practices in Milo Rau’s Die Zürcher Prozesse
Themenheft: Staging Justice: Trials and the Law on the German Stage
Gastherausgeber: Matthew Bell und Daniele Vecchiato
Inhalt
Matthew Bell and Daniele Vecchiato: Staging Justice: Trials and the Law on the German Stage
Matthew Bell: Society and the Sources of Legality in Goethe’s Die natürliche Tochter
Stefania Sbarra: Kleists Käthchen von Heilbronn als Litotes von Goethes Grethchen in Faust. Ein Fragment: Ein Versuch
Sophia Clark: Applause from the Jury: Publicness, Orality, Trial by Jury, and the Revolutionary Tribunal in Büchner’s Dantons Tod
Benedict Schofield: Displacing Justice? Looking for the Law in Gustav Freytag’s Die Journalisten
Laura Bradley: Watching Spectatorship and Judgment: Trial Scenes in Brecht’s Epic Theater
Benjamin Wihstutz: On Truth and Politics in German Documentary Theater of the 1960s: Hannah Arendt and Peter Weiss
Daniele Vecchiato: Lay Judges and Lay Actors: Emancipating the Spectator in Rimini Protokoll’s Zeugen! and Ferdinand von Schirach’s Terror
Richard McClelland: Between Theater and Courtroom: Theatricality, Performativity, and Citational Practices in Milo Rau’s Die Zürcher Prozesse
Gastherausgeber: Matthew Bell und Daniele Vecchiato
Inhalt
Matthew Bell and Daniele Vecchiato: Staging Justice: Trials and the Law on the German Stage
Matthew Bell: Society and the Sources of Legality in Goethe’s Die natürliche Tochter
Stefania Sbarra: Kleists Käthchen von Heilbronn als Litotes von Goethes Grethchen in Faust. Ein Fragment: Ein Versuch
Sophia Clark: Applause from the Jury: Publicness, Orality, Trial by Jury, and the Revolutionary Tribunal in Büchner’s Dantons Tod
Benedict Schofield: Displacing Justice? Looking for the Law in Gustav Freytag’s Die Journalisten
Laura Bradley: Watching Spectatorship and Judgment: Trial Scenes in Brecht’s Epic Theater
Benjamin Wihstutz: On Truth and Politics in German Documentary Theater of the 1960s: Hannah Arendt and Peter Weiss
Daniele Vecchiato: Lay Judges and Lay Actors: Emancipating the Spectator in Rimini Protokoll’s Zeugen! and Ferdinand von Schirach’s Terror
Richard McClelland: Between Theater and Courtroom: Theatricality, Performativity, and Citational Practices in Milo Rau’s Die Zürcher Prozesse
ISBN | 978-3-381-10641-7 |
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EAN | 9783381106417 |
Bibliographie | 1. Auflage |
Seiten | 145 |
Format | kartoniert |
Ausgabename | 1064-1 |
Auflagenname | -11 |
Herausgeber:in | Matthew Bell, Daniele Vecchiato |
Erscheinungsdatum | 03.07.2023 |
Lieferzeit | 2-4 Tage |