Matthew Bell, Daniele Vecchiato

COLLOQUIA GERMANICA 55, 1-2

Themenheft: Staging Justice: Trials and the Law on the German Stage
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Themenheft: Staging Justice: Trials and the Law on the German Stage

Gastherausgeber: Matthew Bell und Daniele Vecchiato

Inhalt

Matthew Bell and Daniele Vecchiato: Staging Justice: Trials and the Law on the German Stage

Matthew Bell: Society and the Sources of Legality in Goethe’s Die natürliche Tochter

Stefania Sbarra: Kleists Käthchen von Heilbronn als Litotes von Goethes Grethchen in Faust. Ein Fragment: Ein Versuch

Sophia Clark: Applause from the Jury: Publicness, Orality, Trial by Jury, and the Revolutionary Tribunal in Büchner’s Dantons Tod

Benedict Schofield: Displacing Justice? Looking for the Law in Gustav Freytag’s Die Journalisten

Laura Bradley: Watching Spectatorship and Judgment: Trial Scenes in Brecht’s Epic Theater

Benjamin Wihstutz: On Truth and Politics in German Documentary Theater of the 1960s: Hannah Arendt and Peter Weiss

Daniele Vecchiato: Lay Judges and Lay Actors: Emancipating the Spectator in Rimini Protokoll’s Zeugen! and Ferdinand von Schirach’s Terror

Richard McClelland: Between Theater and Courtroom: Theatricality, Performativity, and Citational Practices in Milo Rau’s Die Zürcher Prozesse
Themenheft: Staging Justice: Trials and the Law on the German Stage

Gastherausgeber: Matthew Bell und Daniele Vecchiato

Inhalt

Matthew Bell and Daniele Vecchiato: Staging Justice: Trials and the Law on the German Stage

Matthew Bell: Society and the Sources of Legality in Goethe’s Die natürliche Tochter

Stefania Sbarra: Kleists Käthchen von Heilbronn als Litotes von Goethes Grethchen in Faust. Ein Fragment: Ein Versuch

Sophia Clark: Applause from the Jury: Publicness, Orality, Trial by Jury, and the Revolutionary Tribunal in Büchner’s Dantons Tod

Benedict Schofield: Displacing Justice? Looking for the Law in Gustav Freytag’s Die Journalisten

Laura Bradley: Watching Spectatorship and Judgment: Trial Scenes in Brecht’s Epic Theater

Benjamin Wihstutz: On Truth and Politics in German Documentary Theater of the 1960s: Hannah Arendt and Peter Weiss

Daniele Vecchiato: Lay Judges and Lay Actors: Emancipating the Spectator in Rimini Protokoll’s Zeugen! and Ferdinand von Schirach’s Terror

Richard McClelland: Between Theater and Courtroom: Theatricality, Performativity, and Citational Practices in Milo Rau’s Die Zürcher Prozesse
Mehr Informationen
ISBN 978-3-381-10641-7
EAN 9783381106417
Bibliographie 1. Auflage
Seiten 145
Format kartoniert
Ausgabename 1064-1
Auflagenname -11
Herausgeber:in Matthew Bell, Daniele Vecchiato
Erscheinungsdatum 03.07.2023
Lieferzeit 2-4 Tage